Scenic Carpentry + Rigging
News Desk
Specifications: Built in light boxes, break down and reassemble
Counterweight Elevator
The video on the left demonstrates the pit operation of an exit while the video on the right demonstrates the finished effect
Self-contained deck pin operated gate
Specifications: Pin must be removable, entire unit rolls with no external power
Operation videos
The video on the left demonstrates the mechanism from behind from an operator’s perspective and the video on the right shows the effect with the metal gate
Assorted projects

Set of 12 Angry Men at Ford's Theatre. Photo credit: Ford's Theatre

Arch at Smithsonian Folklife Festival. This arch was a collaboration between myself and two master blacksmiths from Armenia at the Smithsonian Folklife Festival. It was the entryway into the Armenian area, and was a very complicated project requiring communication through a translator, disassembly, transportation, and reassembly on site

Arch for production of Eurydice at the University or Maryland. The design required the walkway up top to be level while taking into account it being installed on a rake and in forced perspective

Farquad's Castle for Shrek the Musical at Pacific Conservatory for the Performing Arts. Specifications: complex steel base and internal structure, MDF paneling with false grout, and wheels

Farquad's Castle finished piece. Photo credit: Z, PCPA

Rigging at Glimmerglass Opera. I worked as the rigging intern at Glimmerglass Opera for their 2014 Summer season. This production of Ariadne auf Naxos required a barn facade to fly in with operational barn doors attached to the existing rigging. Photo credit: James Karas.

Set for American Tragedy at Glimmerglass Opera Company. The design required a backdrop and 2 sets of legs out of over 140 dress shirts spread across 6 different line sets. Each one required a vacuum pressed shoulder support and two rigging points. Photo credit: NY Times